Another clear night on the Atlantic Coast, again with good seeing (but mediocre transparency). Once again I quickly set up my EVScope, and this time I had eyes on the galaxies in the Big Dipper, towards the north, and the Nebulae around the galactic core in the south.
The galaxies turned out to be a little disappointing, partly because the EVScope's "enhanced vision" - its image-stacking mode - kept cutting out after just a few minutes. I've had a spotty and unpredictable wifi signal here, which might be to blame. Light pollution is also worse towards the north, and the Big Dipper was low on the horizon.
The nebulae to the south, however, were nothing short of spectacular. Below (clockwise from top left) are the Lagoon, Omega, Trifid, and Eagle nebulae, in five- to 10-minute exposures. What really strikes me is the amount of subtle detail in each of these short exposures, especially the dark lanes weaving through each nebula. I took all of these shots, collectively, in about 30 minutes - and then packed up my telescope in around 10 seconds.
So, another successful night here in Lewes, Delaware. Now it's back to our light-polluted skies in DC, where my next targets will probably be Jupiter and Saturn.
I've written about the EVScope and Electronically Assisted Astronomy (EAA) quite frequently in these pages. I was skeptical at first - partly because my EVScope had a technical problem - and only came around slowly. Only last night did I become an enthusiastic supporter.
I stepped out on a warm, breezy night with the EVScope in its backpack. Transparency and seeing were both around average; there was no Moon. When I reached our nearby park, I set up in all of 30 seconds. I decided that my first target would be the Eagle Nebula, which I've never glimpsed through a regular telescope. The galactic core was lost in light pollution over the National Mall - the sky seemed closer to white than black - so I wasn't optimistic.
And yet! When the EVScope found its target - in just a few moments - and started gathering light, a multitude of stars snapped into view, and then the nebula. After a couple minutes, light pollution started to cloud the view - I haven't tried to tinker with the settings that could help me resolve that issue, not yet - so I stopped the exposure after eight minutes or so. I was left with this:
In the dark, on my phone, it looked spectacular. Look! There are the pillars of creation - star-making factories so memorably imaged by the Hubble Space Telescope - somehow visible from downtown Washington, DC, just nine or so minutes after setting up in an urban park. This image does it for me - I like my nebulae ghostly and ethereal - but with a little image processing, even more detail pops out (see the picture at the beginning of this post).
Now it was on to the Trifid Nebula nearby, it too lost in downtown pollution. Not for long! Again, I'd never seen it with a regular telescope, yet again, it didn't take long to pop into view through the EVScope. This image I like a little less; the unprocessed version doesn't quite bring out the blue. Still, getting this detail so easily in the middle of a city feels nothing short of miraculous.
Then it was off to the Ring Nebula which, of course, never fails to impress - albeit in very different ways through an optical versus an EAA telescope. Whether because of a software update or an unusually transparent sky - I suspect the former - I was, for the first time, able to see the white dwarf at the heart of the nebula. Seeing that would require an enormous regular telescope - too big for my car - and a very dark sky. Imagine my wonder at glimpsing the dead star from the city: our Sun's future, six or seven billion years from now.
I didn't have much time left, but I wanted to see how far I could reach. I turned to NGC 5907, a galaxy marginally larger than our own, around 54 million light years distant. I could only take a short exposure - I really did have to leave - but there: an edge-on spiral galaxy that I would never have been able to observe even with my TEC 140. The light in this picture left its source not only after the dinosaurs went extinct. What a thought!
I packed up just as quickly as I set up, and then a pleasant walk home with my backpack. It is simply remarkable to see so much so easily. I've often seen the EVScope's hardware discussed and praised, yet what really stands out to me is the software. If only other mounts, carrying regular telescopes, were so easy to use.
On November 16th, the sky was clear and, after a glorious sunset, atmospheric seeing promised to be mediocre but transparency was predicted to be superb. With no Moon in the sky, conditions were right to take the EVScope for another spin.
I've now (separately) purchased the backpack that's sold with the EVScope; my rolling case, I suspect, my knock the telescope out of alignment. When I set it up this time, collimation was just about perfect. I made a couple tiny tweaks - again, this took seconds - and then rapidly achieved fine focus with the built-in Bahtinov mask. It was cold and I was exhausted, so I figured I would only take two ten-minute exposures of the Andromeda and Triangulum galaxies.
Moments after the telescope slewed to Andromeda, I heard some rustling in the distance and noticed a dim orange glow, appearing and disappearing. Then the sounds of muttering wafted over on the breeze. It seemed I was sharing my park - and I had the disquieting feeling that I was being observed. After about eight minutes or so, I thought a third shadow joined the two in the distance, and then the rustling got closer. The conversation, it seemed, was definitely in Russian. Suddenly a flashlight turned on; there were three people, and they were walking directly towards me. I greeted them: "Hello? Hi!". At that, one of them exclaimed "oh my God!", and then all three of them darted to the side, behind a bush, and disappeared. The sounds receded into the distance.
That was unsettling. Fortunately, after ten minutes the Andromeda exposure turned out nicely, considering the light pollution. Collimation and fine alignment really makes for much tighter stars and far better images, though I imagine things would be better still in superior seeing (and, of course, under a darker sky).
Now it was on to Triangulum. It wasn't long ago that I managed to spot the galaxy with the FC-100DC, under darker skies some distance from DC. I noticed only a slight brightening of the sky, with averted vision, in what I could just perceive - or imagine - to be a spiral pattern. Clearly observing the galaxy now, from downtown, is a particular thrill. I don't know why, but Triangulum in particular has always captured my imagination. Maybe it's because it gets so little attention compared to the two giants of our Local Group of galaxies, or maybe because it's a face-on galaxy with distinctly knotted spiral arms . . . I'm not sure why, exactly. In any case, I find that the EVScope does a particularly good job on this galaxy (see above).
And again, during the exposure I was in for a shock. With a loud thump and a lot of growing, a rabbit suddenly rushed right by the telescope, a fox in hot pursuit. The fox stopped short of my location with a snarl, then scampered - its little legs a blur - over a hill and behind a bush. Both fox and rabbit were no more than six feet from me. I couldn't wait to tell my four-year-old daughter in the morning.
Anyway, after a few more minutes the Triangulum exposure was done to my satisfaction. I packed up the telescope, warmed my chilled fingers, and walked home. Suffice it to say, I've really started to enjoy the EVScope.
A few days after my strange night with the EVScope, an ad appeared on AstroMart that forced me into hours of tortured thought (usually while attempting to get my one-year-old to sleep). Here was a Takahashi FC-100DZ, used only once and in pristine condition. As I've mentioned before, this year I've been tempted to swap my 100DC for a DZ. The DZ has better color correction and its optics might be marginally sharper, on average, though both improvements may be difficult to detect visually (I read many opinions, and they seem to differ). You can read a great breakdown of the relative merits of the four current FC-100 models here.
I've resisted the urge to swap the DC for the DZ because, first, the hassle and expense seemed daunting, and second, the DC's weight is supposed to be lighter. The difference in weight, I concluded, outweighed (sorry) the marginal difference in optical quality. Yet the four-inch refractor is my most used telescope, and now I couldn't resist the urge to upgrade to maybe the finest refractor of this size ever made.
So, I bought the DZ and sold my DC (along with some other stuff to make up the cost).
I have to say, the comparison between DC and DZ surprised me in a few ways that aren't covered elsewhere. First and for my purposes most importantly, the weight difference between the two telescopes is scarcely noticeable. In the above pictures, you can see the DZ in a configuration for short-range, daytime viewing. However, to reach focus for astronomical viewing you must detach one of the couplings, and that makes the DZ noticeably lighter. It is then also more compact than the DZ when the sliding dew shield is tucked over the optical tube.
Second, the most important couplings of the DZ do not screw apart but rather use thumbscrews and compression rings. You can also use that system to attach a diagonal, and I can't tell you what a difference it makes. I actually detest the Takahashi fetish for stacking screwable couplings in the visual back. The couplings, I've found, tend to stick together, and they're not wide enough to grip easily. It's easy to damage them (cosmetically) by applying too much pressure (I did as much to one of the DC's couplings). The new system brings the DZ in line with most other fine refractors, and it is just such a relief.
Third, to balance the telescope - using just about any eyepiece - the clamshell tube holder must sit farther from the visual back than it does with the DC. This may seem like a very minor detail, but it provides more room for a red dot finder (RDF) just in front of the visual back. My Rigel QuikFinder RDF is now in a more comfortable position, and it's those little details that can make a real difference in the field.
Fourth, the focuser is just a bit nice. Its knobs are metal - not plastic, as in the DC - and the feel is a bit smoother (though I did need to adjust the tension knob for my big Delos eyepieces). I sold Takahashi's two-speed focuser upgrade with the DC, and although I will no doubt miss the fine focus on the DZ, I didn't like how the two-speed add-on left some daylight around the gear housing. On the DZ, I'll stick with the stock focuser. That focuser, by the way, allows me to reach focus with all my eyepieces - something that was just out of reach for the DC.
Finally, although the sliding dew shield is very smooth and easy to use, its tightening screw does leave a subtle mark on the optical tube that is noticeable when the dew shied is deployed. I wonder if the previous owner tightened the screw a bit too much, but I doubt it; I think this is just a natural consequence of the technology. It only matters if you're obsessive about the condition of your equipment - but Takahashi telescopes are so beautiful that they tend to bring out that obsession.
Last night, and against my better judgement, I took out the DZ for the first time. I say "against my better judgement" because transparency was mediocre and seeing was poor. It's a recipe for disappointment to take out a new telescope in such conditions. I couldn't resist, but I did set up near the cathedral, closer to my house so I could hurry back if observing disappointed.
And did it? Well, a look at Mars did clearly reveal that the atmosphere would not be my friend tonight. And yet, I could plainly make out no fewer than three large dark albedo markings, along with that brilliant south polar icecap. Turning elsewhere, Rigel A and B were laughably easy to split in the poor seeing, and Orion was beautiful even before it emerged from the light pollution near the horizon.
So could I make out an optical difference between the DC and DZ? Not after one night of poor seeing. Mars did seem a bit yellower than it does through the DC, and certainly I could detect absolutely no hint of false color in or out of focus. I'm excited to study the Moon, for example, on a really good night. Yet I don't expect a large or even a plainly noticeable difference. I bought the DZ primarily so I could be absolutely sure that the optical quality of my most-used telescope would never hold back my observations - and so that I would never wonder what something would look like with a slightly better telescope of the same design. It's a tiny thing, but after a while tiny things start to matter a whole lot in amateur astronomy.
It was a cold, damp night when I stepped out with the EVscope and found a relatively mud-free corner to set up in my park. I decided to try my hand at collimating the telescope to see if that might tighten the stars in my pictures, and I hoped to decide, once and for all, whether to keep the telescope before my refund period ran out.
To my surprise, the telescope was badly out of focus when I turned it on - so out of focus that its auto-alignment failed. Fortunately, it comes with a bahtinov mask cleverly built into the dew shield. Achieving rough focus, and then fine focus with the mask, takes a matter of seconds. With that done, the telescope immediately found alignment, and I got it to slew to Bellatrix, a fairly bright star in Orion. Now I turned the focuser knob until a dark cross appeared in front of the suddenly bloated star: the spider vanes holding up what would be a secondary mirror in most reflectors (but is a sensor in the EVScope).
The cross was badly askew, which means that the telescope was poorly collimated. It took all of 30 seconds or so to fix the problem, and even less time to achieve fine focus again. And then, voila: the stars were more closely to dots - rather than smeared blobs - and the resolution of the telescope suddenly seemed higher. Funny how that works.
I tried my hand at imaging a few objects: the Orion Nebula, of course, and the Flame Nebula, Bode's Galaxy, and the little galaxy NGC 1637. The latter was a bust: it's very small, and lost in the glow of light pollution to the south. An unavoidable problem for me is that the EVScope amplifies both the light of deep space objects and the light pollution in our DC skies. It's not a problem for brilliant objects like the Orion Nebula or the Andromeda Galaxy, but dim, diffuse objects are another story. I also didn't take exposures longer than five minutes. It's one thing to gawk at the Moon or Mars for that long - or much longer - but another thing to sit silently in the cold, waiting.
But was it ever cool to see the spiral arms of Bode's Galaxy, slowly brightening on my screen as the minutes and seconds ticked by. Here were photons 12 million years old, from a galaxy nearly the size of our own, somehow visible in an urban sky. The view was quite sharp, I thought, and the telescope performed perfectly, immediately slewing to whatever I asked it to find.
Do I prefer my optical telescopes? Yes, for most objects I do, but it's simply true that the EVScope shows me hundreds of nebulae and galaxies that I never imagined seeing from the city, and reveals glorious detail in wonders I thought I already knew well. It's a keeper. Now if only I could get a lightweight, go-to mount for my refractors . . . .
We've enjoyed maybe the best stretch of clear nights with good seeing that I've experienced since moving to Washington, DC, and I was out nearly every night with a telescope in hand. Between work, childcare, and observing, I had no chance to update this blog - but now it's raining, and I have an hour (but just an hour) to relax.
Roughly two weeks ago, I spotted a Takahashi FS-102 for sale on Astromart. Amateur astronomers will know that this is a four-inch refractor with a well-earned reputation for exceptional optics. It's been replaced by the Takahashi FC-100 series, and I already own a telescope in that line. But the FS-102, while much bulkier than my 100DC, does better at longer wavelengths. And in Mars-watching season, that's what I convinced myself I needed.
Although the FS-102 was supposedly in pristine condition, when it arrived I was dismayed to discover that the lens cell was loose and the tube was covered - I mean covered - with scratches. Luckily, the owner was mortified when I informed him, and I received a (nearly) full refund. I now had some cash to spare, and at just that moment a new copy of Sky and Telescope arrived. A favorable review of the EVScope convinced me to give that telescope another chance (see a previous entry for my first impressions). Maybe the buggy version I owned before had unfairly soured me on the product? It did, after all, offer me a chance to observe nebulae and galaxies I would otherwise never have a chance to see from the city . . . .
After it arrived, I bundled the telescope into a suitcase and rolled it along to my nearby park. After I turned it on, it just about instantly figured out where it was and slewed (quietly) to any object in the sky, like magic. Clearly, I'd been sold a glitchy version the first time around. This was more like it! And when I tapped on "enhanced vision" (I describe the technology in a previous entry), the effect was really satisfying. After a couple minutes gathering light on the Andromeda Galaxy, for example, dust lanes I'd previously spotted only with averted vision clearly snapped into focus.
So, how good are the views? Well: although I managed to achieve fine focus, I think I'll need to collimate the telescope when I'm next out. Stars are not exactly pinpoints, as these images attest, and that's also caused by a tendency of the telescope to move too much while it's gathering and stacking images. There's more noise in the pictures than I'd prefer, and after getting used to my wonderful TeleVue eyepieces, the view through the EVScope's "eyepiece" is really cramped. It's like looking through a tunnel. More importantly: no, seeing an image through a grainy screen is just not at all the same as seeing it through an optical eyepiece. An optical telescope feels like an extension of the eye; not so the digital EVScope.
But damn, it's cool to see galaxies shimmer into view on my iPhone screen. It's simply true that I can see things now that I never would have imagined seeing before, and isn't that what this is all about?
I mean, the Triangulum Galaxy from an urban sky . . . are you kidding me?
I'm still learning how to use this technology, and pictures I've seen online tell me there's plenty of room for improvement. Still, I've noticed that the images look much more spectacular in the app, while I'm in the field, than they do after I get home. Certainly they pale in comparison to even half-decent astrophotographs made with dedicated gear. Now does the technology always work seamlessly. Just a couple nights ago, I had to restart the telescope and reinstall the software before I could get the enhanced vision mode to work, and by then I'd already shivered outside for about 30 minutes. Some objects also look immeasurably better through my optical telescopes. The EVScope is just about useless for lunar and planetary views, and stars look like ugly blobs compared to the beautiful diamonds they resemble through my refractor.
Yet what the EVScope does so well is find that sweet spot between visual observation and astrophotography, and it does so in an integrated package that's usually a pleasure to use. No, I never had the thrill of seeing something with my own eyes - the thrill I've described often in these pages - but I certainly did get a deep sense of pleasure when I glimpsed the Whirlpool Galaxy from the city.
One virtue of the EVScope is its weight. If I stuff the EVScope into the suitcase I used for the APM - which, admittedly, does seem to mess with its collimation - then I can easily sling my Takahashi 60Q over my shoulder (and wedge its tripod in the suitcase). I've now used the 60Q twice, including once in the early morning, with the EVScope gathering Orion's light. I have to say: I was more than a little stunned by its quality. To my astonishment, the Moon through the 60Q really didn't look any dimmer than it does through the TV 85, and details were equally sharp.
Here are three images I took of the Moon over the last week, with the 60Q, the FC-100DC, and the APM 140. A reminder: the 60Q has an aperture of about 2.5 inches; the 100DC of 4 inches, and the APM of 5.5 inches (these are big differences for refractors). The optical quality of each telescope is roughly similar, though I'd say the APM shows the most false color, and the 60Q the least.
That's the 60Q on the left, and the APM on the right. The comparison isn't quite fair; seeing and transparency differed on each night - it was average when I used the APM, and decidedly better than average when I used the 60Q and 100DC - and while the smaller telescopes had fully cooled down when I took these images, the APM in my judgement had not. Still, it amazes me how slight the differences are. I have a new phone, by the way, with a much better camera, and I think it shows.
These pictures were taken after the APM had fully acclimated, and I think it's fair to say that now the aperture difference is more easily visible. There's a deeper and more richly textured quality to these images than there is to the 60Q closeup above. Yet it always takes me aback to realize that, when telescopes are of similar quality, differences from night to night on bright objects - the Moon especially - owe more to atmospheric conditions than anything else, including aperture. It's different for dimmer objects. I can usually see at least five stars in the Trapezium using the APM, for example, but I've rarely if ever confidently spotted a fifth with any other refractor.
Mars was full of detail when I observed it with the APM - wow that south polar cap looks bright and sharply defined right now - but I found that it, and every other bright object, was surrounded by a bright halo that night. This seems to be a common and very annoying optical effect in the skies of Washington, DC. On two nights with the 100DC, however, I had no such problem. Dark albedo markings were wonderfully detailed, and I spent easily an hour both nights just enjoying the view. It's a little sad to think that every night brings us a little farther from the red planet, but the view should dazzle for months to come.
One last note. My first night with the 100DC over these past two weeks was November 3rd. I suddenly resolved to stop doom scrolling and instead do something that distracted me. But what a sinking feeling I felt, walking bewildered to the field, with panicked screams - yes, screams - echoing around me. I walked out on the 4th, too, and the mood was lighter. Then, on the 7th, while playing with my kids in the very spot I usually set up my telescopes, came the good news: the networks had called it for Biden. I'll never forget the scenes of spontaneous joy on the streets: the bells ringing, cars honking, crowds cheering. We may be in for some very dark months this winter, but that was a moment I'll long remember.
To say I was tired after my last morning out is an understatement. There's nothing like 16 straight hours of work and childcare after a three hour night's sleep. Yet when the forecast called for better-than-average seeing and transparency on another clear morning, I had to go out again. After all, it'll be a while before Mars looks this good. This time, however, I took my Takahashi FC-100 DC and my lightest tripod; I was still a little sore from hauling the APM.
Conditions were just about the same this morning as they had been on the sixth, and that provided a nice opportunity to test how close the view through a good 4-inch refractor can get to that of a 5.5-inch (the APM). In a word (okay two words): pretty close! The Moon dazzled with detail, although I definitely saw finer features - especially those rilles - with the APM. Mars was wonderfully clear, with dark albedo features obvious but maybe a bit less dark than they had been through the APM, and the south polar ice cap much dimmer. Orion and the Trapezium were wonderful, but I could only clearly see four stars in the Trapezium - with a hint of the fifth, "F" star. You could drive a truck between Rigel A and B, but maybe a slightly smaller truck than you could with the APM. The Takahashi is just a fantastic telescope.
I set out to observe Mars, and indeed I observed the planet for a good long time. Two years ago, during the last opposition, I dreamed of exactly the views I've had this year. Once again, I tried sketching the view on my phone, but it's become clear that I've reached the limit of what's possible with that technique. Next time, I'll bring sketchpad - but still, it's nice to know what I've seen.
I found that the steady atmosphere easily permitted a magnification of around 250x, which is rare in these parts - and better than I enjoyed on the sixth. Although I spent a lot of time on Mars, I found I kept returning to the Moon. There's nothing like the gloriously detailed lunar views a fine refractor can reveal in good seeing. Features visible around the terminator were especially interesting tonight, with plenty of tiny craters glinting at local sunset, and some really interesting, rectilinear scarps (or so I decided; I'll have to look this up later).
So, another great morning - but it'll take me a few days to recover this time.
The weather has been stormy over the past few weeks, but this morning the clouds cleared and the seeing promised to be good. I woke up at 2:45 AM and walked out the door by 3:20, hauling my APM 140. As I reached my local park, it dawned on me that conditions were essentially perfect. The sky was wonderfully transparent, the temperature was perfect, and there was a thin misting of dew on the ground. The rabbits and fireflies that used to give the park such a magical air, however, have largely disappeared (for now).
It was a special morning for more than one reason. The Moon had just passed in front (occulted) Mars, and the two worlds were still right next to each other in the night sky. It was a stunning sight as I set up the APM. Then, when I wheeled the big telescope around to have a look at the Moon, I was just floored by the spectacular, razor-sharp detail. Rilles and craterlets snapped into view as I've never seen them, and I thought I could actually pick up gradations of color on a Moon that has always looked monochrome to me.
It was easy to get lost in that view, but I had a job to do: observe Mars as it approaches opposition. Now, it's around five weeks away - hard to believe! - and wow does the planet look big and bright. The APM revealed it in spectacular detail, with Syrtis Major huge and dark on the planet's surface, arcing north from a south polar cap that now seems small (but bright), with Nodus Alcyonius obvious nearby. It was easily the best view of Mars I've had. By 4 AM the view softened a bit, as a turbulence entered our terrestrial atmosphere. I think I noticed a hint of the planet's rotation between 3:45 and 4:45 AM; Syrtis Major seemed just a bit offset from where it was when I set up.
I knew my iPhone would never capture even a half-decent image of the view, and I kicked myself for not bringing a sketching pad. Still, I have an app called "Paper" on my phone, and I used that to quickly just down what I could easily see. An enormous amount of detail is missing, of course, including many subtle grays south of Syrtis Major. Yet I'm hopeful that I'll get better at this, and I could tell that it helped me observe more closely and carefully.
By 4:30 AM or so, the highlights of the winter sky had climbed above the horizon. Of course, I had to have a look at Orion. To my surprise, six stars were visible in the Trapezium - a first for me, if memory serves. Through the APM, the nebula looked about as impressive near the light-polluted horizon as it does while near zenith with my Takahashi (or maybe even a little better). Rigel B was much easier to spot than I can remember, and the Pleiades were just spectacular. Venus, also rising in the east, was lost in atmospheric turbulence. But still, I observed its half-disk for a minute or so.
I've praised it before in this space, but wow - I cannot say enough about this APM refractor. There are times when I've fantasized about selling all my gear in exchange for an Astro-Physics refractor - something truly high-end. Yet I just can't see how the APM can be improved. I see less false color with the APM than I do with the Takahashi - even with the Takahashi's focal extender screwed in - and the detail, contrast, and color I can see on planets is just otherworldly (sorry). Bright deep space objects are a joy to observe, and the every last detail on the telescope - from the focuser to the dew shield - is a pleasure to use. Like my TV-85, there's something magical about this telescope. It's a true keeper.
Also deserving of praise: TeleVue Delos eyepieces. They are, without doubt, the best I've used in terms of clarity, contrast, and comfort for my eye. Maybe I'll get another come Christmas.
Life - for me, for millions in the United States and around the world - has changed just a bit since I last wrote. Friends and students have fallen ill, and so many have lost their jobs. It feels crass to complain, but still: my family of four is now largely isolated in our little apartment, and my office is in a walk-in closet. It's less than ideal.
In these difficult and chaotic times, I of course have no way of traveling for work, which means that I have a surplus sitting in my research budget. Not surprisingly, that got me thinking about improving my little telescope collection.
With the Mewlon around, I decided that the C8 was expendable, after all - especially since the device I purchased to make it acclimate more rapidly (a Lymax Cat Cooler), is much bigger and heavier when accompanied with a battery than I'd anticipated. So I sold the C8 and its accessories, then used the profit to buy two new Baader diagonals: supposedly, the best on the market.
Now I had three telescopes in DC, and really four is probably the sweet spot for me. This past winter convinced me that I'm going to have my easiest observing sessions when it's cold - certainly on the rooftop, since nobody goes up there when it's even a little cool. I decided that I needed a somewhat bigger doublet refractor that would cool down very quickly, but gather a bit more light than the Takahashi FC-100DC could reveal. It couldn't be too big, however, or I wouldn't be able to easily carry or mount it. And it couldn't be prohibitively expensive (not an easy restriction, considering how refractors scale in size and cost).
After doing a lot of research - too much, considering my other obligations - I settled on a Vixen ED 115S. This is a fine doublet telescope that shows very little false color when in focus (so little that it passes as an apochromat), gathers substantially more light than a 100mm telescope, is versatile at F 7.7, and remarkably light at just over 10 pounds. For some reason, it seems to be quite rare.
The telescope is decidedly not cheap, however, though it does ship with second-rate accessories that nevertheless can only be purchases as accessories when buying from TeleVue or Takahashi. To my astonishment, I found the Vixen with a heap of top-rate add-on accessories - tube rings, greatly upgraded focuser, handle, etc. - for sale at an incredible price on Astromart, in used but like-new condition. I pulled the trigger, and the telescope arrived just a week or so later.
For more than two weeks after the telescope arrived, the clouds and rain would not relent. I suppose that's good; coronaviruses apparently do not spread as easily in humid weather. And certainly fewer people went outside. Still it was frustrating, especially as I increasingly worried about navigating my building and touching the germs on every surface. Hauling telescopes through the building increasingly seemed like a perilous prospect.
Then, last night, the sky cleared for just a few hours. I forgot about the pandemic for a moment and hurried to bring both the Vixen and my trust TV 85 to the rooftop. I mounted them on the AYO II: perhaps the finest piece of non-optical equipment that I've purchased in this hobby.
It was quickly apparent that both seeing and transparency were nothing short of atrocious. And I mean atrocious: the night probably offered a worse combination of both than anything I've experienced in the past year. On top of that, gusts of wind rolled over the rooftop, and clouds defied the forecast to move in quickly from the west.
In that context, my decision to bring the TV 85 quickly paid off. I might otherwise have been worried that the new telescope was partly to blame for the somewhat soft appearance of the Moon, for example. But the blurriness and inconstancy of the view were, if anything, even worse through the magnificent optics of the smaller telescope, despite its smaller aperture.
And despite the uncooperative atmosphere, the Vixen impressed. It took just a bit more time to cool than the TV 85, and provided useful views almost immediately. A look at Venus quickly revealed that the Vixen shows noticeably less false color than the TV 85, even in poor seeing. The TV 85 showed a fringe of blue around lunar limb in these terrible conditions; not so the Vixen. It should be noted that, to my eyes, the TV 85 normally offers almost no false color: perhaps even less than the FC-100DC (it's just amazing in that regard).
With its remarkably wide view of view, the TV 85 did provide superior views of the Pleiades. The Vixen dazzled too, but there was just something about the TV 85 view that stood out. Maybe the fault lay in the eyepieces: while I used a TeleVue Plossl in the TV 85, I used a Baader Hyperion Zoom in the Vixen. In my experience, there's no substitute for TeleVue eyepieces.
A look at Orion, however, exposed the advantage of larger aperture. Despite the abysmal seeing, the Trapezium was absolutely crystal clear, with an impressive amount of space between its components. Switching to a 2", 55 mm TeleVue eyepiece revealed all of Orion's belt at around 16x, glittering and glorious despite hazy atmosphere and light pollution.
In short, the new telescope is wonderful: optically on par with the Takahashi and TeleVue, nearly as portable as the Takahashi (though it requires a heavier mount and tripod), almost as quick to cool down, and aesthetically really nice to boot. It is also just a joy to use. There's no fussing with anything, and it works beautifully on the AYO II mount. My only complaint comes by way of comparison: while the upgraded Moonlite focuser is rugged and fluid, the stock TeleVue focuser is just a bit smoother.
Who knows what the world looks like when I next write. In the meantime, it's nice to be reminded - with the aid of two fine telescopes - that the universe will remain more or less the same.
The sky was clear the past two nights, as if to compensate for the arrival of COVID-19 in our city. Temperatures are rising, too, although they were plenty cool during that first night (March 7th). Since our baby still wakes up all the time - including every 1-2 hours at night - I once again walked up to our roof. Someday, I hope to be able to visit nearby parks again.
On both nights, I stepped out with my Takahashi FC-100DC. The telescope is absolutely stable on my next AYO II mount - a significant difference over the AYO Traveller mount, especially in windy weather (and it's been a bit breezy here on the rooftop). Although ClearDarkSky forecast average seeing on both nights, I've learned to take that with a couple grains of salt, and indeed once again there seemed to be pockets of decent and poor seeing in the night sky. On the 7th, the nearly-full Moon appeared reasonably steady through my eyepiece; on the 8th, a high-altitude haze and turbulent air worsened the view considerably. Still, there's always something satisfying about seeing the apparently full Moon in the night sky, and then discovering a terminator with a telescope.
I can only step out at around 8:30 most nights - after my daughter goes to bed - and at that point Venus, which is now near opposition, is sinking quickly towards the horizon. Not only does it then shine through a lot of atmosphere, but it's also just above a bank of currents boiling up from some pipes on our rooftop. And when I turn my telescope to have a look, it's usually right after I set up, when the tube still hasn't fully cooled down. Venus is, in other words, usually a shimmering mess of false color.
Yet on the eighth, for maybe five glorious minutes, I did get a nice view early in the evening, at around 82x with my Nagler Type 6, 9mm eyepiece (it's a favorite). Any more magnification, and the view softened in a hurry. At 82x, however, I thought I might just be able to make out some darker details in the disk; in fact I was quite sure of it, but of course unlikely visual phenomena that are just at the edge of perception should always be taken with a healthy dose of skepticism. Minutes later, the view broke down and Venus was out for the night.
On both nights, with Orion very high in the sky, I easily split Rigel A and B. Turning to the Orion Nebula, I think I was able to make out five - perhaps even six! - stars in the Trapezium on the 7th. At 123x, the whole view seemed full of delicate nebulosity (faint, however, because I'm surrounded by lights on our rooftop and my eyes don't fully dark adapt). On the 7th, a small crowd came out to our rooftop and one young man wandered over. He asked me what I was looking at; I mentioned the Orion Nebula. "What's a nebula?" he asked. Vinny - that was his name - now you know!
On both nights, I did a little equipment testing. First, I've been tempted by the new Takahashi FC-100DZ. Its color correction is a bit better than that of my 100DC, especially at red wavelengths. With Mars reaching opposition later this year, it might be an upgrade worth making. On the other hand, the slight improvement in color correction comes at the cost of a longer focal ratio (F8 VS F7.4) and a substantially heavier (33% more!) tube. That may mean that I can't mount the DZ on my lightest-weight tripod and mount. And I wonder whether the DZ would complement my Mewlon as nicely as my DC can - at least in theory, since I rarely have a chance to use the Mewlon. The false color around Venus and even the Moon on the 8th (in poor seeing) did make me think, but for now I definitely lean towards keeping the DC.
I also tested a new pair of binoculars on the eighth. For a while, I've been looking for binoculars that aren't too expensive - I don't use binoculars enough to justify a high price - but also are more than toys. The big Celestron 15x70 binoculars that I've mentioned earlier in this space quickly fell out of collimation and are now completely useless. I bought a small (8x42) pair of well-reviewed Oberwerk binoculars last year, but they were surprisingly heavy, and they too lost collimation in a hurry. I returned them and replaced them with Nikon 10x50 Action Extreme binoculars.
Right off the bat, the feel and size of the binoculars felt right. They were actually easier to hold steady than the smaller Oberwerk binoculars. Turning to the Moon, the view impressed: a bit of false color no doubt magnified by that high-altitude haze, but wonderfully sharp nonetheless. I think this pair is a keeper, and at $150 I don't have to feel that it represents a blown investment if I don't use it much.
With the Moon and Orion high in the sky just after the kids went to bed, and the weather relatively mild, I just had to have a look. Once again, I hauled my Takahashi refractor to the rooftop - although I'm not sure "haul" is the word to use for carrying such a light telescope, mount, and tripod.
The currents coming off my building again add an artificial layer of low-lying turbulence to the view, and I'm starting to suspect that my Berlebach Report tripod can barely handle the FC-100DC (the TV 85 is a slightly better match). There's a bit more vibration than I usually prefer, though I'm sure that's also a function of the wobbly concrete slabs we have on our rooftop. In any case, although the seeing wasn't bad, the Moon trembled in the eyepiece.
Still the view was, at times, utterly spectacular, especially around Plato, where the rim shadows seemed fantastically long and sharp: as though they were cast by a gigantic palace overlooking the crater. At times it seemed as though the shadows shimmered ever so slightly, an effect first noticed by Selenographers in the late nineteenth century (and then blamed on "lunar meteorology"). Although the crater floor is pitted with tiny craterlets - well, tiny as viewed from Earth - I couldn't spot any. Is it futile to look for them with a small refractor? Maybe. I'll need to bring out my Mewlon when the weather is warmer.
The 3.7 mm Ethos eyepiece certainly makes a big difference on the Moon by greatly expanding the field of view, but the 200x it affords was just a bit too much for the atmosphere tonight. The view was just a little soft. Turning to the Orion Nebula with the eyepiece attached, the Trapezium wasn't as sharp as it was the other night, and the nebulosity surrounding it was a little washed out - partly, no doubt, by the brighter Moon. A lower magnification would have served me better, but I had to hurry downstairs to kids who needed my attention.
All in all, a good hour on the rooftop. Someday, I keep reminding myself, I'll be able to stay outside for longer!